Saturday, January 19, 2008

Atonement (Paperback) by Ian Mcewan Review

I picked up this good-looking book with no advance knowledge of its plot - just a liking for other works of its author - and I'm grateful for that, and won't give away the story here. I was grabbed by its first description, and held closely throughout. McEwan has created characters who are so fully realized that I felt as if I had known them for years. It's an amazing story, though not at all far-fetched. It's slyly easy to read - think "page-turner" - but it is about vitally important things. In addition considerable historic research went into it, and that's a delicious plus.
McEwan invites you into an English world that you will smell, hear, feel, and taste - and your mind and emotions will be fully engaged. The family has money and servants but this is nothing you've seen on television or the movies. The story is told with discipline and control, and from several points of view. The people are palpably real. It's a tightly organized and satisfying assemblage of the things that matter, among them family life, childhood, debt and obligation, loyalty, imagination, faith and hope, innocence and guilt, love, desire, varieties of destruction - and the urge to make a difference. Finally: war and peace. (In fact, you might be reminded of Tolstoy in more than a few ways.) In addition it's a fierce and moving meditation on the life of the mind and creativity. At the same time, McEwan's powers of description are such that all of your senses are never anything but fully engaged. English country life in the 1930's - a heat wave, and the fragrance of wildflowers, the feel of a silk dress that is sticking to skin, the thick dark of a moonless summer night - through the horrors of the Second World War (Dunkirk most dramatically and effectively) and beyond. It is either sheer brilliance, or a deeply humane urge, or maybe just a workmanlike sense, but McEwan takes full responsibility for each of his characters- and sees them through to the end.
Nearly every page has something unselfconsciously remarkable to think about - or to reconsider. I used my pencil throughout; there is so much that is wise or just plain awe-inspiring in this book. McEwan has accomplished something amazing. I'm telling friends to read the book first, reviews second. The story is so terrific, and so moving and important - and might unfold best for the reader who comes to it blissfully uninformed. It's not very often that I've felt transformed by a novel. Read it as soon as you can.


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